We are extremely delighted to embark on our second season at Ambassador Theater with the most prominent Belgian playwright, poet, and essayist, and Nobel Laureate: Maurice Maeterlinck, whose very symbolic works aroused so many artists around the world and demanded a new artistic vision. Despite the passage of time, Maeterlinck’s words still inspire artistic exploration and experimentation with new eyes. Maeterlinck wanted to reveal the interconnectivity of the inner and the outer world, a mirroring of the macro to microcosm. Today in the Information Era, as in Maeterlinck’s time with the Industrial Revolution, we search for spiritual connectedness with the universe, with each other, and within ourselves. We search for a common tongue to provoke each other into dialogue. With these two of Maeterlinck’s very different plays, a fairy-tale and a satire, death is a main subject, seen from distinct perspectives. Both pieces provoke us to laugh, cry, think and enter into a shared conversation.  As the author and translators have inspired me to present both plays, so the actors and designers helped to craft the artistic vision for which I am extremely grateful. We invite all to an open discussion about life and death and Maeterlinck’s artistic vision presented to you with the gracious partnership of the Embassy of Belgium.Enjoy the show!

Hanna Bondarewska

 
Ambassador Theater invites you to…

An Evening with Maurice Maeterlinck Belgian Playwright, Poet, Essayist and Nobel Laureate   In partnership with the Embassy of Belgium, Ambassador Theater is proud to present staged readings of     Death of Tintagiles and The Miracle of Saint Anthony   Translated by David Willinger and Daniel Gerould  Directed by Hanna Bondarewska [...]

 
Cast & Crew: An Evening with Maurice Maeterlinck

Death of Tintagiles and The Miracle of Saint Anthony Translated by: David Willinger Daniel Gerould Directed by: Hanna Bondarewska Sound and Music by: David Crandall Lights by: Gus Soudah Featuring: Greg Crowe Bob Chauncey Danielle Davy Russell Jonas Randahl Lindgren James McDaniel Gale Nemec Mark O’Brian Frank O’Donnell Amy Waldman [...]

 
About Maurice Maeterlinck by David Willinger

A Life in Counterpoint to a Work “…one of the things that is fascinating with Maeterlinck is his tendency to bring to mind those who, in fact, came after him. This is one of the great paradoxes of this unclassifiable author.” (Patrick Maguiness, “Maeterlinck et le ‘Dieu Sauvage,’” Présence/Absence de [...]

 
About Maurice Maeterlinck by Daniel Gerould

MAETERLINCK READER  June 29, 2010   AN OPENING ON THE UNKNOWN AND UNKNOWABLE  Maurice Maeterlinck opened the modernist era in drama by acknowledging how little we know, or can ever know, about ourselves and our world. Instead of the high living, characteristic of the Belle Epoque, mirrored on stage in [...]

WHAT PEOPLE ARE SAYING ABOUT US

  • User AvatarRobin Parker { Hanna - I wanted to drop you a quick note to tell you how much I enjoyed the performance on... } – Apr 11, 3:44 PM
  • User AvatarDesi Jordanoff { Friends, I would like to thank you all for the truly amazing day yesterday. I am humbled and I can't... } – Apr 11, 3:36 PM
  • User AvatarMaciej Ochman { Congratulations! This was truly a fantastic performance. Thanks for the roll coaster of emotions and an impressive display of talent.... } – Dec 12, 4:50 PM
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PRAISE for The Madman and the Nun!

"Director Hanna Bondarewska has neatly orchestrated both the quietude necessary for the intimate moments between Walpurg and Sister Anna and the chaotic hilarity that ensues when the entire cast is onstage. Her swooping choreography when Anna helplessly joins Walpurg in a looping rocking sequence in one scene is mesmerizing." - Charlotte Asmuth - December 5, 2011, mdtheatreguide.com

"...The Play's the Thing"

"The Madman and the Nun is a witty, lively, but extraordinarily thoughtful play. Theatergoers, artists, creative souls and anyone who wants both a fast romp and an intellectual challenge should carve some time out of their busy schedules to take in this most unusual play." Mary Tabor, communities@washingtontimes.com
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